Showing posts with label IP. Show all posts
Showing posts with label IP. Show all posts

Tuesday, March 31, 2009

DRM for Audio Books?



As I drove to the bank the other day, an episode of All Things Considered on NPR caught my attention. They were discussing DRM (digital rights management), or copyrights, for audio books, as Amazon's Kindle has already implemented. This harkened me back to our first blog post, which was over the very subject of copyrighting! So, I thought I would share the story I heard on NPR with you guys. 
 
This again has me considering the intellectual property question. So many musicians have reaped success from file sharing. This is a way they can gain exposure, and fast. However, the strong argument against piracy is that money is being taken away from the creator(s), and rightful owners of the work. Now that we are starting to see a trend of people reading e-books or listening to them through sites like audible.com, the same questions and arguments are being raised in the publishing industry. NPR interviews several people, including an author with books on Kindle, to gain perspective on the situation.

In my opinion, regardless if you are speaking to any art form- music, literature, etc.- we should embrace the spirit of a collective intellectual property. At risk of repeating my self from my previous blog post, we as a community benefit from the sharing of art. We learn, we broaden our horizons, and we may find the inspiration needed for our own works. 

Not everything in American society need be so individualistic. 

Image from NPR.org

Monday, November 17, 2008

Art's Role In The Intellectual Property Debate


In all of my free time during the work day, I read an article written by Daniel B. Smith on a theory author Lewis Hyde purports in his upcoming and yet untitled book. His idea is that intellectual property needs to be belong to the community as a whole, not solely to the creator or the purchaser of the piece. This debate covers more than just art, it is something that is hotly contended where the internet and copyright laws are involved. But, without getting too detailed, I would like to share my thoughts on the topic. 

As Hyde so succinctly puts it, art needs to belong to a communal pool of IP, how else could an artist and his work gain success if it is not discussed and debated, circulated, reviewed and critiqued? This is how we come to know such famous pieces so well- reading about them, learning about them in class, seeing the actual piece in a museum. Why even have museums if art is only for the possessor and not the benefit of the public? What if something as iconic as Picasso's Guernica was shut away in some private collection? If this was never available for public view, many students could not experience a masterpiece through their textbooks and Power Point slides. Millions of tourists could not stand back and take in Picasso's work in person. And having seen the actual piece, it is absolutely awe inspiring and moving. I would hate to deny anyone such an experience. 

One of my favourite authors Jonathan Lethem was quoted on Lewis Hyde's book "The Gift" and how it affected him. And pulling from my personal knowledge about the author (See! I'm sharing my own IP with the public!), Lethem got much of his inspiration from Dick Tracy comics he read as a kid. Thus furthering my point, we wouldn't be reading such great books as "Motherless Brooklyn" and "Gun With Occasional Music" today, if he himself had not been an avid reader the comic strip. Hyde has become the poster child and an outspoken advocate for a communal IP. So, clearly his own work has inspired and brought about many new and brilliant works of art. 

The question that initially came to mind upon finishing this article was, "Does a communal IP go against our individualistic society?" Right off, yes! We have always been a society that emphasises the importance of pulling oneself up by the bootstraps- forever imbued and romanticized in the cowboy image and Wild West era. But after further consideration, I realized much of our society is not only individualistic, but also collective. We have countless organisations, societies, charities, and even social networking online to prove it. So, we can still give the credit solely to the artist, but we also share the work through the same discussions and circulation that makes the artist successful, thus inspiring future artists. Hyde makes this point so articulately with Benjamin Franklin as his subject. Franklin was not a genius on his own, he had many mentors, volumes of research and literature, and experience from all around the world to bring him to the discoveries and inventions he made. And we, in today's society, still benefit from that collective knowledge Franklin pulled from. So too can this be applied to the artworld. We cannot stifle creativity by imposing too many restrictions on that which inspires us.

And thus begging the question: Why should art exist at all if it can't be shared?